Review: MACBETH at Seattle Repertory Theatre is hauntingly brilliant
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Likewise, Macbeth herself (played by Charlotte Schweiger) portrays the role’s shift from overwrought Thane of Cawdor to hubristic King of Scotland as convincingly. A versatile supporting cast—most playing multiple roles—complete the talented young group. Charlotte Schweiger is a German actress.Charlotte Schweiger is a beautiful and skilled actress from the United States.
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She is well known for her roles in Hollywood films and television shows.As we all know, a journey of a thousand miles begins with a single step; similarly, she began her playing career in the entertainment industry with minor roles. She was always interested in performing and drama since she was a child.In terms of her professional career, she has appeared in scores of films and television programs. Her movie roles left a lasting influence on the audience.
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A black wall and tattered, overturned sofa; an old tire; a filthy bathtub and dead, dry grass set the scene (the work of set designer Catherine Cornell), reflective of the work’s grim tone and portending doom. In standard private school uniforms, the young actors are schoolgirls retelling the story of ambition gone awry. Lady Macbeth, played by local actress Izabel Mar in her Seattle Rep debut, skillfully personifies one of the most formidable female characters in the Shakespearean canon.
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Schmidt and Seattle Repertory Theatre have reminded us why we love Shakespeare and why we must keep searching for the truths of today within the texts. We are reminded how good men, or in this case good girls, are capable of appalling things. When passion is high and goes unchecked, when a trusted friend or love whispers not caution but rather incites, even heroes can fall. I would go back to see this show again "tomorrow, and tomorrow, and tomorrow."
TV Review: 'The Purge: This Is Not A Test' (S2 E01) - Science Fiction
TV Review: 'The Purge: This Is Not A Test' (S2 E .
Posted: Thu, 17 Oct 2019 07:00:00 GMT [source]
The tales linking masculinity with violence have become to ubiquitous, and we have become numb. This new retelling of Macbeth, adapted by the stupendous (there really is no other word) Erica Schmidt brings us back to the truth of the horrific nature of Macbeth's actions. The staging and stunts throughout the show elicit a sinister uneasiness. The set is used in so many innovative ways that I found myself trying to guess how some objects might be used.
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Fueled by insecurity, Macbeth also has Banquo murdered. Now guilt and madness cause Macbeth to be haunted by visions of Banquo. His response is not remorse but rather a reign of terror. Macbeth loses control of his own mind and ultimately loses everything. For this show, the story is like a game, and girls all willingly play, waiting to see who will be the first to say stop.
I will refrain from providing any details as this fresh adaptation deserves to be seen with fresh eyes. Hats off to the entire production staff for embracing the story in all its gore. The show comes with a well-earned graphic violence warning and is suggested for age sixteen and up. I would allow my fourteen year-old daughter to see it if only for the knowledge of the show's power to make Shakespeare relevant and spur my young thespian past her fear of iambic pentameter. Schweiger Dermatology Group was founded to help make excellent dermatology care accessible throughout the Northeast. In 2010, Dr. Eric Schweiger started the practice with a single location in Midtown Manhattan.
The three witches played by Sophie Kelly-Hedrick, Laakan McHardy, and Analiese Mereson Guettinger are harbingers of good things to come in the theater world. They displayed precise comedic timing, fierce energy, and decadent mischievousness. Tamsen Glaser as Banquo was freakishly awesome, especially in ghost form. Klarissa Maria Robles as Macduff was understated and subtle, but brilliant in her own way as the only character left with any moral authority.
Her final scene is heart-wrenching, awful, and deserved, and she makes us feel every bit of it. MACBETH at Seattle Repertory Theatre is hauntingly brilliant. Take the classic tale of ambition and lust for power, mix it with an ensemble of seven young women with dark imaginations, and add toxic manipulations and you have a new, gritty adaptation that will leave you speechless. Young adolescent girls are usually portrayed as innocent and hopeful, but here they are desperate, raw, misunderstood, and so easily slip across the line from fantasy to murder. The story of Macbeth has perhaps become too familiar to us.
Ben, a clean-cut student whose life changes dramatically when he goes out on Purge night for the first time, is played by Joel Allen. Catching up with The Work Print at Comic-Con, the young actor gave us a little insight into his character, and what we can expect of him in the upcoming season. “Ben is really an average dude with really average grades,” he explained. “You really feel like, “Well, what would I do if I was in that situation on my first Purge.” Prior to The Purge, Allen was best known for his performance in the Sundance comedy Never Goin’ Back (2018), and can next be seen in Rollers and What Breaks the Ice. The unlikeliest of casts is also unanimously remarkable. The commitment, sure-footedness, and dedication to the story are evident in each member of the cast.
Previous credits include The Son, Palabra de Ladrón, Reina de corazones, and Pasión Morena. If there’s one thing, Dear Readers, that Disney is good at, it’s spectacle. But when you take that spectacle and combine it with one of their most musically magical properties such as “Aladdin”, it should end up with theatrical gold for the whole family. When the genie first poked his head from the lamp on stage back in 2011, I’ll admit it was less than magical. But, by the time it went to Broadway it grew by leaps and bounds. And even now, this tour currently playing at the Paramount, they seem to have updated some of their Disney Imagineering to make the experience even more magical and when combined with a killer cast, just hold on for a good time.
Izabel Mar as Lady Macbeth was perhaps my favorite, if a favorite is possible from this cast. The 400-year old lines dripped from her lips as if they truly were her very own thoughts. Charlotte Schweiger was the lucky but deserving recipient of the part of Macbeth. While it is her ambition that drives the whole story, she is often unwilling to accept responsibility for the results of her unchecked ambition. It is Schweiger who ultimately makes us believe that the tale of Macbeth is still present among us, in the often unexplored depths of depravity. Here she leads the rest, rather of her own volition or pressured from the pack, it matters not.
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